Field Notes
A walking-writer's notebook. Short essays from cities most tourists skip — Porto in the rain, Buenos Aires after the last bus, a quiet train station in Hokkaido at seven in the morning.
My partner, who I have been with for fourteen years, thinks cilantro tastes like soap. This is a real thing. It's genetic. I have read three articles about it, and I believe the science, and I understand that his suffering is not personal.
I still put cilantro in almost everything I cook. I have tried to stop. I cannot stop. Cilantro is to my food what a key change is to a pop song — the thing that lifts the bridge into the chorus. Without it I am making something else, and the something else is worse, and I will not pretend otherwise.
For years this was a small fight. I cooked; he'd flinch; I'd feel guilty; he'd feel ungrateful; we'd eat anyway. Somewhere around year nine I landed on the only solution that has ever worked, which is: I cook with cilantro, and then I make him a small bowl of whatever I cooked, without cilantro, from a portion I set aside before the herb went in. It takes me thirty extra seconds. He gets the food he can eat. I get the food I need to cook.
The thing about love I learned from cilantro is that compromise does not always mean splitting the difference. Sometimes it means doing the whole thing twice — a little — because the thing matters to both of you and neither of you will enjoy a watered-down version. Thirty seconds. Fourteen years. Still married.
A walking-writer's notebook. Short essays from cities most tourists skip — Porto in the rain, Buenos Aires after the last bus, a quiet train station in Hokkaido at seven in the morning.
Short-form work about diaspora, memory, and the sea. Written mostly between midnight and four.
Curated by Sam Okafor · guest piece from Elena Ruiz
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