Fujifilm has reliably expanded and improved its GFX medium format camera framework since it originally launched with the GFX 50S in mid-2017. Over the most recent four years, Fujifilm has added the GFX 50R, GFX 100, and now the GFX 100S to its camera contributions. World-beating picture quality, yet the self-adjust needs improvement.
At the point when it launched the GFX 50S in 2017, Fujifilm settled on a pivotal choice to skip past full-outline sensors and go directly to medium format. The thought was to offer better quality for the studio, scene, and imaginative work than is conceivable with a full frame.
While it created wonderful pictures with exceptional detail, the GFX 100 unveiled in 2018 was huge, hard to deal with, and evaluated at an eye-watering $10,000. In any case, Fujifilm corrected all that with the launch of the GFX 100S, a model that closely resembles an “ordinary” mirrorless camera, while costing a group less at $6,000.
Fujifilm GFX 100S specs: The GFX 100S isn’t bigger than Panasonic’s full-outline, 45-megapixel S1R, yet it has a sensor that is 70% bigger with more than twofold the goal. Medium-design GFX mirrorless camera, 102-megapixel posterior enlightened CMOS picture sensor, 3.76 million stages recognize self-adjust focuses covering almost 100% of the picture territory, Quad-center X-Processor 4, 16-digit RAW documents, 5 fps consistent shooting, 4K/30p video, 5-hub in-self-perception adjustment, 3.69M spot OLED EVF, 3.2″ shifting touchscreen, Climate fixed camera body, Double UHS-II SD card spaces, $6,000 USD body as it were. Like the GFX 100, the GFX 100S doesn’t have a devoted control pad. The EVF downgrade and absence of an upward grasp choice are net negatives. Nonetheless, the GFX 100S is a decent camera body generally. It is a minimized camera considering its sensor size, and the general control format is incredible.
Fujifilm GFX 100S performance: It is more responsive than some other medium-design camera, offering shooting rates of 5 fps with a support breaking point of 14 lossless RAW pictures (about 1.4GB of information). Nonetheless, that is a long way from the rates you’ll see on late high-goal models from Sony and Canon or Fujifilm’s own X-arrangement. The self-adjust framework looks great on paper, with 3.76 million stages recognize pixels and up to 425 selectable AF focuses. It additionally offers to contact selectable persistent AF following alongside eye-and face-distinguish AF. Notwithstanding, it’s not appallingly smart, with some slack that was especially observable in the wake of auditing Sony’s 50-megapixel A1. The eye-recognize and following function admirably for studio subjects who don’t move a lot. However, it’s not as great in more powerful circumstances. In addition, the AF speed profoundly relies upon the GFX focal point you’re utilizing. Undoubtedly, the GFX 100S is intended for studio work, not games. Be that as it may, late full-outline cameras like the Sony A1 figure out how to consolidate high-goal picture quality with brilliant execution. Not all picture takers might forfeit that to get the most elevated conceivable quality (which the GFX 100S conveys, as we’ll see soon).
Fujifilm GFX 100S Body and Handling: The past GFX 100 is a major piece of camera that tips the scales at 1,400 grams or only north of 3 pounds. With the GFX 100S, Fujifilm cut it somewhere near 35% to 900 grams (only south of 2 pounds). It’s around 66% the tallness and slimmer in profile, for sure. The essential justification for the more modest size and weight is the end of the upward hold and going with controls.
Overall review: The GFX 100S conveys incredible picture quality. As far as sharpness, the camera dominates any full-frame camera available. It does likewise concerning dynamic reach. Further, generally speaking, resonance, shading, and RAW document adaptability are awesome with the GFX 100S. Its picture quality is probably the best strength, particularly contrasted with comparably estimated full-outline cameras.
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Source: Fujifilm GFX 100S Review: Its Performance and Specs
