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Almost a decade since the start of his England national team Raheem Sterling has seen a lot. He left a bright spot in the tragic 2014 Football World Cup and became a leader in the semi-finals four years later, with a disappointing exit playing for Iceland in the European Championship in the middle.

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Back in November 2012, 17-year-old Sterling became one of six players to play in the first game against Sweden and his international career has proven to be a very long-lasting one. The match was the only one for Ryan Shawcross, Steven Caulker, and Carl Jenkinson at world level, while two unbeaten caps by Leon Osman also proved to be the last.

Wilfried Zaha, another cheerful young man who first appeared that night, has continued with bright things, but now has Ivory Coast colors. Of Gareth Southgate's 33-man squad, it was announced yesterday, only Jordan Henderson has worked for a long time in England.

Sterling's long career in the world is something to be commemorated as a reflection of his consistency at the highest level, yet he has been under attack by the British media. International work is often used for tabloids as an opportunity to follow the Manchester City star.

It has been a ‘news hook’ for writing disturbing stories about his private life or for a splash of a front-page criticizing his tattoos. Sterling opened up about his childhood in North London in a powerful video, made for the England team by former actor Marvin Sordell. For more to know about Football World Cup Tickets Click here.

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In it, she describes how she felt driving past the streets where she grew up and the parks she played in when she returned to the stadium as a professional. “Every time I go back to Wembley Stadium; The FA Cup, whatever it is, is like a banter,” the Manchester City striker said in the film. As of today, I can’t even imagine it’s true. If you look at certain streets and you look like ‘rah, I was there. And looking back, every time I go, I'm like laughing in my head like ‘rah, these are nuts, this is crazy.

But at the same time when you enter the stadium, it is as if I have a strong belief that I will do well at Wembley Stadium anyway. There is no way – I am at home, in my neighborhood – I do not appear. It is rare to hear a player, especially at the Sterling level, speak openly about their experience in football.

I spoke to Sordell about how he managed to make such a powerful film and why. Sordell explains that footballers can be wary of revealing too much about their lives. Given the endless attacks on Sterling in particular you can understand why he might be hesitant to talk about his childhood.

I think it can sometimes be difficult to get that information out because [[soccer] players are generally protected,” Sordell explained. It is very protective of the information they provide, especially to people like journalists who want a story.

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Often the shared stories about the personal life of the athletes are stirred up and want to further separate the fans from the athlete. Introducing players as connected to reality or irresponsible; focusing on so-called negligence or dishonesty. Like most people in the community, players are often identified by their former partners who wish to make quick money with cheap lines about being cut off from their roots.

It is impossible to quantify such suspicions in a person like Sterling, who often returns to the place where he came from; from donating to Grenfell victims to taking school children to the Wembley finals. But still, finding something as open and authentic as what Sordell's production company Oneighty does is a challenge.

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